Posts Tagged: Cyril Landry

I have many male friends who write female main characters, and female writer friends who write male characters. Maybe it’s liberating, or maybe, for some reason, the character is the person you feel closest to. There’s chemistry there. You want to spend your time writing about someone who inspires you, because you have to spend a whole book with that person. Male or female. For my part, I love looking out through Cyril Landry’s eyes and seeing what he is seeing. And he’s kind enough to oblige me.

Cyril Landry fought in two wars. What he did with Whitbread Associates wasn’t all that different.

I don’t think men and women are all that much different from one another. In my view, they have a lot more in common than not.

Cyril Landry has been through a lot. He’s fought in two wars. He worked as an operative for a not-very-nice organization called Whitbread Associates. At times in his life, hardened by war and needing to make a living for his family, he considered morals to be niceties. What he did for Whitbread Associates was not so different from what he did for the United States in Iraq and Afghanistan.

No apologies.

I met him on the first page of my thriller, THE SHOP. He was a faceless operative—basically a spear carrier on the set—but on the first page he changed all that. On a mission to kill some people in Aspen, he corrected another operator’s grammar. The first words out of his mouth.

The operator radios in. “There are two people laying on the bed.”
Landry says: “Lying.”
“What?”
“Lying on the bed. Not laying.”

From there he took over more and more of the book. I know he’s done bad things, things I can’t wrap my head around. But I still like him. I’m still fascinated by him. It’s a dichotomy I believe happens in real life. Can you be a good and moral man and still kill?

Considering all the crime fiction, thrillers, spy thrillers, and mysteries, the answer is:

It’s complicated.

Categories: Cyril Landry Spectre Black The Writing Life

You’re writing, and suddenly, you get stuck. You’ve driven yourself into a ditch.

So. What do you do? You can quit for the day. You can skip ahead to another part that isn’t so hard to write (but many times, that turns out to be just as hard, because your sullen, uncooperative mind refuses to budge).

This isn’t me out for a walk. It’s an example of the cloaking technology featured in SPECTRE BLACK.

Go for a walk.

I do that a lot, and I think a lot of other authors do, too. As I set off on my walk, I tell myself: “Don’t think about the story. Just leave it alone. Forget about it and look at the trees, the squirrels, the mountains, whatever’s there. But don’t think about the plot. Fuggetaboudit.”

Sometimes, a walk is just a walk. But more often than not, you come back already thinking of another way forward in your story—a new plot point or a new scene—something really great that just came out of left field. It materializes out of your subconscious, which was trying to help you all along.

In the case of my new Cyril Landry thriller, Spectre Black, I had run into a dead end. I couldn’t think of anything that would move the story forward. So I went for my walk and told myself not to think about it. I walked through a patch of desert and looked around, letting my mind wander to whatever drifted through my transom.

Then suddenly it came to me—completely out of left field. An idea that at first didn’t seem to fit at all. The thought I had was this, two words: “property seizure.” Very quickly, the other pieces locked into place. Cops—bad cops (and I had a few already onstage)—often seize assets, especially expensive assets, like sports cars, boats, houses, and other property. And they divvy up the spoils. One sergeant might say, “I’m looking for a Corvette.” Or something like it. And then they go out looking for a Corvette. A simple traffic stop, a small transgression, and the Corvette’s on a flatbed truck headed for the sheriff’s impound lot.

After that, like a cascading house of cards, the other pieces filled in. That one small idea was the key to a major section of Spectre Black. All because I went for a nature walk, emptied my mind, smiled up at the deep blue sky and the words waiting at the door to my subconscious poured out: “property seizure.”

Categories: Cyril Landry Spectre Black The Writing Life